![]() ![]() The band also began moving copies of their release through local record shops. This led to the band being noticed by a local cable show ROCK LIVE and Baltimore’s rock radio stations WIYY 97.9 FM 98 ROCK and WHVY FM 96.7 97 Underground FM who both would keep the band in regular rotation on their playlists. The release of “The Jokes On You” quickly began to circulate through the right hands allowing the material to be heard by the right people locally. It would be self-released in only a 300 cassette run initially. What would result from the sessions would be eight blistering NWOBHM influenced traditional heavy metal tunes that would comprise the band’s 1991 debut “The Jokes On You”. Soon COURT JESTER was ready and would enter White Marsh Studios. They would begin to hold auditions that would take some time until finally guitarist David Braswell, who had played with Jakubik in a previous band, came in to fill the spot.ĬOURT JESTER was now a 3-piece and they would waste no time getting back to Guckert’s songs, as well as adding other originals, one of which was from Jukubik and Braswell earlier band together. The next day both Jakubik and Guckert came to the decision to work together but to replace the two guitarists. Upon their meeting, the four would begin to work with six original songs written by Guckert. ![]() Jakubik along with a guitarist friend of his would go to jam with the other two. The ad was placed by drummer Douglas Guckert who was looking for players to join him and another guitarist. Suggested credit line: Library of Congress, Music Division.Baltimore, Maryland’s COURT JESTER began with an ad for a bassist and guitarist being answered by Jake Jakubik. Please contact: Performing Arts Reading Room. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. In some cases, the Library was unable to identify a possible rights holder and has elected to place some of those items online as an exercise of fair use for strictly non-commercial educational uses. In those cases, only thirty-second excerpts of sound recordings and one or two pages of print or manuscript materials are used. While every effort has been made to obtain permission to use these songs or portions of these songs, in some cases, the rights' owner may have only granted permission to use a portion of the material online. Items included here with the permission of the rights holders are indicated as such in the bibliographic record for each item. This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses. Users should consult the bibliographic information that accompanies each item for specific information. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. The Library of Congress provides access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. ![]()
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